Showing posts with label personal style. Show all posts
Showing posts with label personal style. Show all posts

Tuesday, September 10, 2013

Surviving the war, London and designing for the elite // The dressmaker Wanda Zaklika

Sligo Flea Market at The Model, June 22nd

My school reports described me as a 'day dreamer', how I had potential if I only paid more attention in class. I would get in trouble for sneaking Malory Towers books and Anne of Green Gables into my Irish textbooks during class. History and English were the two subjects that firmly held my attention, I was fascinated by people from ages past or by stories of children living out lives far removed from my own, as I sat chin in hand, in that overcrowded rural class setting. Discovering vintage clothing by way of my eBay hobby was a revelation of sorts for me. It was the chance to have my head in the past, but my feet in the present (almost). I was living a day dream of sorts, imagining those who had worn the dress before me, what they'd been like and how exciting it was that 30 or 40 years hence, I shared the same taste as a girl from a decade now past. It was my own role in social history, and my preoccupation with how lifestyles have changed, but at the same time, looking back to what I imagined was a more authentic time, a social life that wasn't dictated by Facebook.

Imagine then, my sincere delight when one summers day last year, an email arrived in my inbox referencing an old blog post, in which I wore a beautiful 1960s floral silk suit. The son of the seamstress who had made the suit had found my blog via a Google alert and had emailed me to inquire about the garment, and by what circumstances I'd come by it.

Wanda Zaklika London 1960s dress
Wanda Zaklika London label, other labels could read 'Wanda Zaklika Haute Couture'

The dress with the label "Wanda Zaklika London" was made by my mother, who died in 1997. It's fascinating to see the dress find a whole second life. I'm afraid I don't know who it was made for. It would have been fun if I could have given you its history. My mother's business centred around a limited group of affluent clients. The dress might, for instance, have been made for the wife of the French ambassador to London or for someone in the Bowater paper family (or some other client I cannot now recall).

My mother wasn't a designer for the mass market She designed and created clothes for a rather small number of very affluent women. She had, perhaps, 20 customers at any given time. Each piece was custom designed and made for the individual and no two pieces of clothing were alike. Indeed, since some of the women went to the same society events it would have been a cardinal sin to dress two of them the same. My childhood involved being surrounded by copies of Vogue and having to walk about carefully because of all the pins embedded in the carpet. Notwithstanding this, none of my mother's talent trickled down to me.


Wanda Zaklika London 1960s dress
Wanda Zaklika London label dress

The dress is evocative of the new gaily coloured prints of the 1960s, with the large collar and buttons on the jacket in a quite conservative cut, typical of early 1960s fashions. It is all silk, the shift dress is very comfortable to wear, and was probably made for a middle aged woman, which would fit with the description I was given of Wanda's clientele. It would probably have been worn at a day event, during the summer.

The reason I was unable to find any information on the maker is because there is nothing to be found. Then as now, many seamstresses worked independently, from home, or in a studio, making dresses to order at the bequest of their clientelle. Now middle-class clients are more likely to buy off the peg, branded designer labels than have clothes made to order. For special occasions, such as weddings or debs/prom nights, we might get a seamstress to make something especially for our shape and to our taste. I was curious about the clientele of Wanda Zaklika and her son was more than happy to enlighten me ...

The sort of people who were customers were the wives of manufacturers or businessmen, members of the aristocracy (in the sense of being titled) and diplomat's wives. It was pretty much a word of mouth kind of thing and my mother never had to go out and hawk her stuff about as is the case with some designers. Given the scale of the business it is quite a surprise to see one of her garments materialize on the web.

Derry and Toms 101-111 High St Kensington. London. Iron grilles. Store frontage.1931
Derry and Toms entrance
Shot outside the entrance to the department store Derry & Toms on Kensington High Street, London.
Top: 1931 picture of the art deco facade of the seven story Derry and Toms store on Kensington High Street, closed in 1971 and a couple of years later taken over by the opulent Big Biba department store for a short while (1973-75), it now houses a Marks and Spencers store. (source)
Middle: Entrance to Derry and Toms store, 1960s (source)
Bottom: Photo shoot outside for Derry and Toms catalogue outside the store entrance on Kensington High Street, 1960s. (source)

My mother purchased many of her fabrics at Derry and Toms in Kensington High Street or at Harrods in Knightsbridge. As a young child, in the absence of daycare, I would accompany her on some of these shopping trips. In exchange for being a cooperative and patient boy I was taken to Harrods toy department to drool at the toys once purchases were complete. Sadly, there were never any toy purchases since our budget would not tolerate it, but it was fun to see how the other half lived.

The dress itself, I have only worn on 2-3 occasions. It has some minor flaws such as bleach stains and cigarette burns. I had a bit of a mishap when I attempted to hand wash it and the colours ran. We assume that it was probably obtained from the sale of someones estate and potentially passed through a few people's hands before ending up on eBay, and finding its current home with me. There could be dresses under the Wanda Zaklika label marauding out there, some possibly even sold on eBay, but often if it is not a brand name, people neglect to list the maker of the item, or label information.

Wanda Zaklika
Wanda Zaklika as a young woman, holding a leopard cub. This was taken in pre-WWII Poland,
probably at a zoo.


Though we can't be sure about the provenance of the dress, it is a piece of a larger, fascinating tapestry, and revealed to me, the tragic beginnings of its brave, driven designer and creator.

My mother was a concentration camp survivor, having been a member of the Polish Resistance. After World War II she worked for the Polish Red Cross in Italy, looking after orphans. There she married my father, whom she had first met as a Polish POW [Prisoner of War] in Germany, and the two of them set out on their honeymoon only to be held up by Italian bandits and robbed of everything they possessed, including their clothes. Given the choice of being sent behind [the] Iron Curtain to Communist Poland or coming to England, they came to England, much of their luggage being lost in transit. There they set up their lives anew under very difficult conditions.

My mother had a degree in economics from the best business school in Poland (known by its initials SGH, and referred to in English as the Warsaw School of Economics) but her qualifications were not recognized in the UK. She began to study for a duplicate degree in Britain while simultaneously learning English. When I arrived on the scene her studies were interrupted and she began piecework sewing of shirts, something she could do to supplement our extremely modest income while looking after a baby.

Having acquired sewing skills through this and a range of subsequent dressmaking and design jobs, she set up her own couture enterprise. She acquired clients primarily by word of mouth and kept a restricted clientele so she could continue to care for me. Typically, she employed one or two people to do the finishing work on the clothes. My mother continued the business until I went off for postgraduate work, so it must have lasted for nearly two decades, perhaps from around 1955 to 1975 or so.


What an incredible story, of courage, survival and necessity. I'm glad that despite her horrifying time during the Second World War, Wanda Zaklika found success in her business, and raised a family, and I have a personal artefact to remember her by. Something I will never gain from the latest on-trend piece from replica high street stores. I feel very lucky that Wanda's son shared her unique story with me.

-

If you have a Wanda Zaklika dress, and perhaps you too found this post as a result of a Google search, please get in touch with me via my email. I'd like to put you in touch with Wanda Zaklika's son, as I'm certain he would be interested to learn where his mother's creations have ended up. Most things have a story to tell, as this happy anecdote demonstrates.

Has anyone else any similar stories to share?

Wednesday, June 19, 2013

Snapshots of Summer




Between one project and another I've been too distracted to resume regular posting. I experience a lot of self doubt with things I intend to post, real things I'd like to write about, and I inevitably end up not sharing them at all. Otherwise, these past few weeks have been pleasant on the whole. I've been enjoying the sun when it shines, and wearing a lot of prints (see above).




Treating myself - Prosecco al fresco at A Casa Mia / Buttermilk ice cream and raspberry sorbet from Murphys Ice Cream / Yuppie tea and chats at the Twisted Pepper




The Bugle Babes at Film Fatale's screening of Notorious / Walking around Clontarf / The interior of my friend's house in Stoneybatter, Dublin




I've been devouring Broderick's treats, made here in Ireland, with some seriously cool, cheeky contemporary packaging / I'm still scouting the charity shops when I have a spare moment, I picked up these two 1970s Carriagaline cups to add to my collection, when I was last in Dublin / I wore my 1950s beaded handbag for the first time, despite having picked it up in a Glasgow charity shop two years ago.


After following it enviously for the past couple of years, and having attended their Sligo screening, I finally made it to a Film Fatale night in the Sugar Club, Dublin! The theme was 1940s, so while I brought a suitable dress in my bulky bag, but it was one of the best evenings of the year (so far! crossing my fingers) so instead I wore my new 1970s cotton dress from Enchanted Vintage. Jean outglamours me in dress, and demeanor, doesn't she look fab? Guess who was shy about getting their photo taken, the expression says it all!

Monday, April 8, 2013

WIW / Going down to the pub



Headscarf - vintage, 1960s / Wool blazer - thrifted / Jumper - thrifted / Denim shirt - thrifted / Jeans - Topshop Pippa's / Boots - Camper

An invitation to the pub while enthusiastically accepted on my part, leaves me with a bit of dilemma for at least nine out of the twelve months of the year. Ireland is cold. The Romans never colonised Ireland, calling us 'Hibernia', or the land of eternal winter. So the pub dress code calls for layering, mostly for your journey to and from your pub of choice. The pub does attract an eclectic mix of people, some manage to wear a skimpy dress, platform heels and a light jacket and apparently feel no chill. With the risk of spillage in mind, I usually wear a pair of jeans, a favourite pair of ankle boots, and a blazer so it looks a bit smart and like I made the effort. A jumper, shirt are a must (or a blouse depending on what type of social gathering it is - like a date) thermals are optional, or leave that to the imagination!

An Irish pub is vastly different to a bar, granted, they're both crowded, but the pub rattles with the hum of conversation rather than the efforts of the in-house DJ. The floor is scattered with odd stools, some low and wooden, some covered in leather, the best one's have cosy wooden snugs. The tables often require the aid of a few beer mats under the leg, but once you've settled and removed your layers, you can then luxuriate in the warmth that embraces you as you catch up with your pals.

I thrifted this blazer last week, I don't usually wear camel so I'm a bit wary of it yet, but for Spring it does go nicely with softer, more pastel shades. This jacket has no label, only an ILGWU (International Ladies Garment Worker Union) tag. Its hard to date, but I would go with late 70s/early 80s, it has wonderful leather covered buttons. The ILGWU, begun in 1900, ceased in 1995. It's fully lined, I think the material is wool, and it is very comfortable to wear, I find most high street blazers uncomfortable and cheaply made. For comfort and laziness sake I wore this with a pair of long socks and my well-loved Camper boots. My hair is boring me at the moment, so I pinned it up and tied a scarf over it.

The scarf I got a few weeks ago in a charity shop. The St. Michael label is from the 1960s. I'm not usually gone on floral prints, particularly as the vintage inspired "ditsy" floral revival has flooded the high street, there are cheap reproduction florals in every store you wander into, and my eyes are tired of looking at them. I love the contrasting colours of this - the hot pink, orange and green, then the black stems of the flowers in the centre, occasionally broken up with small florals imitative of the border flowers.

The look itself, I suppose it has a Land Girl feel to it. Instead of working the fields however, I was having a gossip down the pub.


Close up of scarf print

Close up of jumper label - Made in Co. Mayo!

ILGWU (International Ladies Garment Worker Union) tag on blazer

Thursday, April 4, 2013

WIW / Spring Sunshine


It's been a while since I've done an outfit post, I enjoy dressing myself and thrifting but am awkward in front of the camera lens for all sorts of reasons (1. asking someone to do it, 2. said person not being especially good at taking photos). This is an ultra girly outfit, and I was mistaken for being in my mid-teens while wearing it, but I like to mix things up - I could be a vamp next week, who knows.



Cardigan: Thrifted, Jaeger wool/pattern label / Dress: H&M / Shoes: JuJu Jellies / Bag: Accessorize (c. 2009) / Watch: One Spot

The past couple of months I've thrifted some lovely woolens in my local charity shops. This cardigan was €4. The label reads 'Knitted from Jaeger handknitting yarn' - it needed a lot of TLC, the lining was sagging - a sure sign that the cardigan had been machine washed and shrunk. So I patiently handwashed it and gradually stretched it out, to restore it to some of its original length. I love the pattern, it reminds me of 60s prints and art nouveau designs. It's perfect for the weather we're having recently, the sun is shining but its cold and windy.

I increasingly find myself spending more time sulking in front of the mirror lamenting on how I've nothing appropriate to wear, probably because I have excess free time on my hands and have more time to think about such things. These shoes, the dress and bag are probably some of the oldest items I have in my wardrobe, the bag and shoes were bought 4 years ago, the dress 2 years ago. I need to be more discerning about what I buy, but for now I'm just having fun!

Tuesday, January 15, 2013

Green and Gold





Suit: 1960s; Hutchinsons, Made in Scotland / Tights: Tabio / Oxfords: vintage / Earrings: Topshop (c. 2009, a birthday gift)

The headline of the blog describes it as a vintage clothing blog, so I occasionally have to pay lip service to that, and get my sorry self in front of the lens. What I lack in an imaginative setting I make up for with my facial expressions, right?

This is the second time I've worn this suit. I love the novelty of an eye-catching skirt suit and it's difficult to find vintage suits sold as one. I think this was the result of a 2am eBay browse, I'm sure I got it for about £20-£25 a little over a year ago. It is a little roomy, but I can't bear to get it altered and risk losing some of that fabulous sparkle! I wore this when I felt brave. Sometimes outfits like this feel like armour against the monotony of the grey streets.

I also picked up one of those hair donuts for €1.50 in Primark. I'm not a fan of Primark generally, save for PJs and knickers but this has changed my life. Well, not quite, but I'm too distracted to learn how to mould my hair into the perfect beehive. This takes five minutes, and though the result may be imperfect, I love having an updo.

'Made in Scotland' is sewn into the label and its those little things, that aren't visible to the world, that are hidden and known only to me, that give me a thrill. I love the idea of local manufacture, decades ago as it may be.

Wednesday, November 21, 2012

Film Fatale / Some Like it Hot


Source

Glamour visited my hometown last weekend. Film Fatale hosted a screening of Some Like it Hot at The Model, as part of the North West Film and Music Festival. Guests participated in the evenings spectacle by togging out in 1920s and 1950s inspired gear. Before the film chanteuse Derby Browne sang a set of Marilyn songs. Afterward, The Andrews Sisters' Brothers played a DJ set with tunes from the 20s to 50s.


Derby Browne


Anna of Film Fatale

I relished the chance to do something different with my make-up and hair (a hairdresser called Mairead, based in Streedagh, Strandhill takes the credit for the hair). I'm currently reading Letters Between Six Sisters, a collection of letters between the notorious Mitford sisters from the 1920s-90s, edited by Charlotte Mosley.




Nancy, Unity & Diana Mitford

I've been looking at a lot of photographs of the sisters, included in the book, particularly portraits of the sisters in the late 1920s and 30s. Note the cupids bow lips, dark eye-makeup and tailored, slim eyebrows. I watched pixiwoo's Clara Bow inspired video for some professional inspiration and went at it! Of course I wasn't sacrificing my eyebrows, so I just drew them on with an eyebrow pencil.

I'm not used to wearing such heavy, dramatic make-up but when an event calls for glamour, I respond accordingly.







My dress is Noa Noa, my coat is Peter O'Brien from the 2009 A-Wear collaboration, and my earrings are last year's Topshop. The little black beaded bag was a gift, but it was from Accessorize.


Source

Wednesday, August 1, 2012

Vagabond Vintage

It's August - new month, new resolutions!

As well as my Etsy I've created a facebook page for the vintage clothing I have to sell, Vagabond Vintage! I'll keep you posted on updates! Meanwhile, please go ahead and like me on facebook!


Wednesday, July 18, 2012

Novelty is the spice of life

I was once a teenage (wannabe) goth. This "black period" lasted for about a year and a half, til I entered a confused ~kawaii/fruits phase, like so many internet kids before tumblr. I still have an eye for colour, or quirkier patterns, I'm not sure if my attraction to odd prints and styles is a remnant of these days. I get a kick from finding something unusual on the rails, and charity shops are the business for this.

I picked this skirt up in my favourite charity shop in Sligo town for €2.50, its viscose (don't google that!), with a very nineties interpretation of an art deco/1920s print. It's about 2 sizes too big so I've attempted to belt it in. I've been wary of maxi skirts this long time for fear of looking like a banshee (imagine for a moment the combination of my hair down, with a long dark skirt and my usual ghostly "away with the fairies" expression, just no). However, the distracting pattern of this skirt made this long skirt a little less serious, and less "fashiony" (is that even a word?) that some of the trendier maxi skirts I had been eyeing up. Ana is a girl who can rock a maxi skirt. FYI Georgia is a novelty print goddess.


Skirt: thrift (probably 90s) / High tops: Cheap Monday / Belt: Monki / Top: H&M

Still feel a bit awkward ~posing as of yet, but its not hurting anyone, so whatever. The third picture is meant to be ridiculous, if I was a lookbooker I could photoshop me into space or something, but I didn't because I want to taken seriously (debatable).

Friday, July 13, 2012

Arts and Crafts

I don't think my City friends give much thought to what I get up to in the West, but I'm having a blast as of late! Last week was the annual Cairde festival in Sligo. It's an annual week long arts festival that "celebrates diversity". It is comprised of cultural events for families, and grown ups, there were art exhibitions, plays performed in the woods, a cabaret show, too many gigs to mention, a vintage fair and the frolics concluded with a party in the park on Sunday just gone.


Barra Cassidy's exhibition was held in the Yeats Society building

My desk can't be seen for the amount of event guides covering it at the moment. I have to be selective or I'd be burnt out. I managed to go to "Burlesque Fantastique"; a cabaret show hosted by Lady Veda, an art exhibition (see above) and The Frivolous Fare, where I left my heart behind with a set of mint 1970s Babycham glasses. Retro Rummage, based in Dublin, is a specialist in vintage & retro home wares. If I ever have an apartment, (or a job!) of my own (a pipe dream these days) I will certainly be looking this guy up. My Dad, who accompanied me, looked over the retro goods, unmoved by my cooing and exclamations of joy. He'd seen it all before, having been a student in the 1960s and lived in Dublin during the 1970s, this was the stuff of his student flat days.

I wanted to wear my new wedges that I'd acquired a couple of weeks previously. I wore them with my favourite casual vintage dress. I was drawn to this as it reminded me of the Arts and Crafts style of dress, it fits like a pinafore, it buttons up at the back and ties at the waist, and it incorporates all my favourite autumnal colours. The trench has been well loved, but I've yet to find a summer jacket that will replace it yet - its the perfect colour, style and length. The search is ongoing.





1970s cotton empire waist dress (label David Silverman) / trench: h&m (circa 2009) / shoes: fly london / bag: ollie & nic (circa 2010)